![]() ![]() Eager for any opportunity for advancement, African American entertainers took to the minstrel stage in increasing numbers in the decades after emancipation.Īlso after the end of slavery, spirituals gained exposure and respectability outside of the plantation context in which they originated. While white performers dominated the industry, black troupes also participated in minstrelsy since the 1840s. They were enjoyed primarily by middle and lower class white audiences. Though filtered through white performers in blackface makeup, the music incorporated African American folk elements, including banjo styles learned from Southern black musicians.Ĭapitalizing on negative stereotypes of African Americans, minstrel shows were the most popular form of entertainment in the United States in the middle decades of the century. Ragtime and the music industry, including sheet music publishing and new phonograph and player piano technologies, enjoyed a symbiotic relationship and rapid growth.įifty years before ragtime became a national sensation, touring minstrel troupes gave much of white America its first taste of a version of black music. While dancers and audiences, both black and white, embraced it, some scorned it as an African American cultural invasion. ![]() It burst onto the national stage during the Gilded Age in the 1890s, when sentimental love songs dominated popular music. Ragtime emerged from African American communities in the South after the Civil War. The term “ragtime” likely derived from a contraction of “ragged-time,” indicating the highly-syncopated rhythm that characterizes the music. The suffix “-time,” as commonly applied in the late nineteenth century, referenced the rhythm of a musical composition: jig-time, waltz-time, march-time, etc. ![]() It results in more rhythmic diversity and excitement. Syncopation occurs when notes are stressed or accented between beats, interrupting the regular flow of rhythm and emphasizing the weaker beats. Rhythmic syncopation pre-dated this era and style, but ragtime gained notoriety for its pervasive use throughout a composition or improvisation. Ragtime derived its name from the insistent, highly-syncopated “ragged” rhythm that distinguished it from other contemporary styles. Ragtime and blues, a related African American musical form that developed concurrently, are essential components in jazz music, which rose in popularity as interest in ragtime waned. The genre eventually took a variety of forms, including vocal and instrumental music, intended for a listening audience. Rooted in African American folk dance traditions, it evolved in the decades after emancipation, incorporating both African and European musical elements. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.Ragtime was one of the most popular forms of music in the United States between 18. Includes: Easy-to-read, modern sheet music for some of the most popular rags, including The Entertainer, Maple Leaf Rag, and Mississippi Rag Techniques for composing and arranging ragtime music Performance considerations Historical overview and more!Īudio is accessed online using the unique code inside the book and can be streamed or downloaded. Listen along to the recorded performances of these classic songs plus Terry's own composition "Proctology" to gain an understanding of variations in accents and performance traditions that make up ragtime music. Considered to be the foremost performer, producer, and historian of authentic ragtime, author Terry Waldo walks you through performance and compositional considerations that make up this unique genre. Learn to play the enduring standards that make up the ragtime tradition and how to turn any melody into a rag.
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